2012年在职艺术硕士入学资格考试试卷真题

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2012年在职攻读硕士学位全国联考

艺术硕士

入学资格试卷

考生须知

1. 本试卷满分150分。

2. 请考生务必将本人准考证号最后两位数字填写在本页右上角方框内。

3. 本试卷为A型试卷，单项选择题、多项选择题和英语阅读理解的答案必须用2B铅笔填涂在A

型答题卡上，做在其它类型答题卡或试卷上的无效。答题前，请核对答题卡是否A型卡，若不是，请要求监考员予以更换。

4. 在答题卡上正确的填涂方法为在答案对应的字母上划线，如

[B][C][D]。

5. 论述题必须用蓝色或黑色墨水笔在答题纸上指定位置按规定要求作答，未做在指定位置上的

答案一律无效。

6. 交卷时，考生须配合监考员验收，并请监考员在准考证上签字（作为考生交卷的凭据），否

则，若发生答案遗失，责任由考生自负。

一、单项选择题（每小题1分，共44分）

1．芭蕾舞剧《春之祭》、《火鸟》的曲作者是俄罗斯作曲家( )。

A．格林卡

B．斯特拉文斯基 D.柴可夫斯基

C．拉赫玛尼诺夫

2．儿童歌舞《可怜的秋香》的作者是( )。

A. 刘天华

B．聂耳

C．黎锦晖

D．马思聪

3．刘宝全、骆玉笙是( )的名家。

A．京韵大鼓． B.苏州弹词

C．越剧

D．婺剧

4．协奏曲产生于( )，18世纪前后常见的协奏曲有大协奏曲和独奏协奏曲。

A.德国

B．意大利

C．奥地利

D。英国

5．歌剧《尼伯龙根指环》的作者是( )。

A．李斯特

B. 肖邦

C．

D.瓦格纳

6．由( )表演的作品《水》，表现了傣族舞蹈的风格和清澈、清纯之美。

A．赵湘

B．杨丽萍

C．刀美兰

D．杨桂珍

7．玛丽·塔里奥妮于19世纪第一次在巴黎歌剧院用脚尖技术表演了( )的芭蕾舞作品，为芭

蕾艺术注入了新的生命。 A．《仙女》

B．《希尔薇娅》 D．《小夜曲》

C．《仲夏夜之梦》

8，戴爱莲是我国著名的舞蹈表演艺术家、教育家，( )是其代表作。

A．《丹凤朝阳》 C．《梅花操》

B．《思乡曲》 D.《潇湘水云》

9，“盅碗舞”是具有( )民族风格的舞蹈。

A．藏族 C．蒙古族

B．维吾尔族 D. 土家族

10.早期由吴晓邦先生从日本引进中国的现代舞，被称为( )

A．“当代舞蹈” C．“新概念舞蹈”

B．“新舞蹈” D.“创新舞蹈”

1 1. 著名当代舞蹈艺术家杨丽萍表演的（ ），其惟妙惟肖的表演深受人们喜爱并获得中华民

族20世纪舞蹈经典作品奖。 A.《孔雀舞》

B.《孔雀开屏》

C．《雀之灵》 D.《林中雀》

2 2 2．( )创立了“叙事体戏剧”理论。

A．布莱希特

B．萨特

C．格洛托夫斯基

D．贝克特

3．( )年欧阳予倩等人在日本东京成立了戏剧团体春柳社。

A.1906

B 1907

C. 1908

D. 1909

14．( )是一部充满象征诗意和内在戏剧张力的现实主义戏剧杰作。

A．《雷雨》

B.《日出》

C．《原野》

D．《北京人》

15．王利发是老舍戏剧作品( )中的主人公。

A．《龙须沟》

B．《茶馆》

C.《方珍珠》

D.《女店员》

1 6．话剧《屈原》是( )的戏剧作品。

A．夏衍

B．郭沫若

C．阳翰笙

D．陈白尘

17．夏衍的( )揭示了日寇占领上海后“孤岛”上小市民的生活状况。

A．《赛金花》

B．《秋瑾传》

C．《法西斯细菌》

D．《上海屋檐下》

18．( )是田汉《名优之死》剧中的人物。

A．仇虎

B．鲁贵

C.宋玉

D．左宝奎

1 9。李三娘是( )中的人物。

A．《荆钗记》

B.《白兔记》

C．《杀狗记》

D．《拜月亭记》

20．下列剧目中，取材于佛教题材的是( )。

A．《掘地见母》

B．《目连救母》

C．《李逵探母》

D.《四郎探母》

21.下列行头中，属于习武之人穿着的是( )。

A．官衣

B．富贵衣

C．茶农

D．箭衣

22．下列剧目中，以剧中出现的物品为剧名的是( )。

A．《铡美案》

B．《铁笼山》

C．《红灯记》

D．《一箭仇》

23．下列剧目中，又名《庆顶珠》的是( )

A．《打渔杀家》 B．《画龙点睛》 24．在电影中的推镜头是指( )。

A．摄影机沿着光轴方向后移拍摄 C，摄影机在空间中上下运动拍摄

B．摄影机沿着水平方向运动拍摄 D．摄影机向被摄体逐渐靠近 C．《虹桥赠珠》

D．《摩合罗》

25．一般公认的新中国电影诞生的标志影片是( )。

《林家铺子》 B．《桥》 A．

C．《定军山》

D．《我这一辈子》

26，1913年出现的第一部中国故事短片是( )。

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A．《劳工之爱情》 B．《难夫难妻》 27．故事影片《金陵十三钗》的导演是( )。

A．张艺谋

B．冯小刚

C．《孤儿救主记》

D.《神女》

C．陈凯歌 D．宁浩

28. 20世纪40年代中国史诗风格的代表影片是( )。

A．《白毛女》

B．《城南旧事》 D．《甲方乙方》

C．《一江春水向东流》

29．电视是艺术与现代科学技术相结合的产物。数字化多媒作始于( )年代。

A. 1980

B. 1990

C．2000

D．2010

30．( )属于重大历史题材的电视连续剧。

A．《闯关东》

B。《大宅门》

C．《长征》

D.《渴望》

31.电视纪录片也可以采用( )手法。

A．情景再现 B．人物夸张 32．( )属于戏曲电视剧。

A.《梅兰芳》

B．《戏比天大》

C．《武则天》

D.《孔乙己》

C. 情节虚构

D．程式表演

33．电视节目有诸多环节，其中( )不属于创作流程。

A．策划

B．拍摄

C．合成

D．广告

34．“电视空间”所表现的是屏幕制造的空间图像，实际上属于( )。

A．二度空间

B.三度空间

C．现实空间

D．抽象空间

35．人像雕塑有头像、胸像、半身像和( )之分。

A．浮雕头像

B．半身带手像

C．圆雕头像

D．全身像

36．初唐的“青绿山水”以( )为代表。

A．阎立本

B．王维

C．吴道子

D．李思训

37．梅、兰、竹、( )“四君子”成为文人画的特殊题材。

A．荷

B．菊

C．水仙

D．牡丹

38．欧洲文化史上继古希腊、古罗马后的第二个高峰期是( )。

A．文艺复兴时期 C. 洛可可时期

B．巴洛克时期

D．古典主义与浪漫主义时期

39．磁州窑是中国历史上( )性质的窑口。

A．官府

B．官搭民烧

C．民间

D.南方民间

40．包豪斯设计思想的影响始于( )。

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A．19世纪20年代 B.1 9世纪50年代

C．20世纪20年代

D．20世纪50年代

4 1，设计就是一种( )的设计。

A.评价方式

B．生活方式

C．感受方式

D。理解方式

42．产品造型设计应注重( )

A.形态练习

B．外部起伏

C．形式意味

D．表面形式

43．仰韶文化与龙山文化的典型代表是( )。

A，彩陶与黑陶 B．灰陶与印纹陶

C．釉陶与红陶

D．土陶与白陶

44．设计程序是指产品设计的( )。

A．程度与方式 B．过程与次序

C．周期与阶段

D．法则与

二、多项选择题（每小题2分，共16分。以下各题5个选项中，至少有2个选项正确）45．音乐的社会功能包括( )。

A．认识功能 B．教育功能

C．美育功能

D.实用功能

E．运动功能

46．中国古典舞的动作讲求( )的审美特征。

A．直

B圆

C．绷

D.拧

E． 曲

47．莎士比亚的四大悲剧是( )。

A．《维罗纳二绅士》 B．《麦克自》

C．《李尔王》

D．《哈姆莱特》

E．《奧赛罗》

48．下列戏曲剧目，创作或改编于20世纪50年代以后的是( )

A．《朝阳沟》 B．《刘巧儿》

C. 《李慧娘》

D．《将相和》

E．《李二嫂改嫁》

49．意大利新现实主义电影的导演主要有( )

A．罗西里尼 B．德。西卡

C.德吕克

D. 雷诺阿

E．普多夫金

50．电视的移动媒体包括( )。

A.报刊

B．手机电视

C电子邮箱

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D.公共交通电视 E. 互联网

51．( )是法国雕塑艺术家罗丹的代表作。

A．《思想者》 D．《加莱义民》

B．《打石工》 E．《播种者》

C．《吻》

52．唐代工艺美术具有( )的特点。

A．华丽丰满 D. 清秀细腻

三、英语阅读理解（每小题2分，共30分）

Directions: There are three reading passages in this part. Each passage is followed by some questions

or unfinished statements. For each of them there are four suggested answers marked A, B, C and D. Choose the best answer to each question.

Questions 53 to 57 are based on the following passages：

Oscar Night

Oscar Night is one of the most awaited events in the entire entertainment industry of the world. The award ceremony has become an inseparable component of the life of all the people associated with Hollywood. One cannot simply escape the charm of this wonderful night. The scheduled time of the glitzy evening of Academy Award is usually late February or early March. It is time when the awards are presented for the year-best achievements in the Motion Picture Industry. The Oscar statuette, presented during the wards right, is regarded to be the most prestigious honor for Hollywood artists. Oscar ceremony was started with the intention of acknowledging the excellence in Hollywood. It was also an approach, made a long time back, to encourage the spirit of the people connected with the Motion picture industry. The various categories of award try to honor people involved in all the facets of filmmaking. Academy Awards Night comprises of that point of time when the talented artists of the film fraternity get the apt recognition. It is the best way of honoring the efforts and dedication that go into the making of a movie.

Oscars are organized in a grand manner, with an alluring appeal. This mega event takes place at the Kodak Theatre, in Los Angeles, annually. Oscar Night is the much-awaited moment, when all the stars of Hollywood gather at a single venue. The Red Carpet is rolled out for the dignitaries of the function. The air is filled with the gusto and zeal of the celebrities, who are invited to witness this

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B．清新大气 E.自由舒展

C．质朴简洁

ceremony. The atmosphere of Oscar night is ruled by an element of surprise. It is the night when the mystery unfolds with each passing moment，with the announcement of winners in various categories.

53. According to the author, A. The award ceremony is an inseparable part of the life of all those who are relate to Hollywood B. The award ceremony is an inseparable part of the life of all the people who are associated with Los Angeles

C. The award ceremony is an inseparable part of the life of all those who are living in Hollywood D. The award ceremony is an inseparable part of the life of all the people who are working infilm industry

. The Oscar statuette, presented during the Awards night, is regarded to be the most prestigious honor for Hollywood artists.

A. The underlined word \"prestigious\B. The underlined word “prestigious” in this sentence means“notorious”. C. The underlined word “prestigious” in this sentence means “respective’: D. The underlined word “prestigious” iii this sentence means“disastrous ‘.

55. In paragraph l the sentence “The Red Carpet is rolled out for the dignitaries of the function” means

A. The Red Carpet is rolled out for the people to walk on B. The Red Carpet is used to help those celebrities walk slowly C. The Red Carpet is used to make the atmosphere more appealing D. The Red Carpet is used to express warn welcome to those celebrities 56. Which of the following is not implied in the passage?

A. Oscar ceremony takes place at the Kodak Theatre, in Los Angeles every two years.

B. The approach of Oscar ceremony aims to encourage the spirit of the people connected with the

Motion picture industry.

C. The Oscar night is always full of an element of surprise. D. Oscar ceremony takes place with an attractive appeal. 57. In the last paragraph, the last word “categories” means A. territories

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B.varieties C. celebrities D. vocabularies

Questions 58 to 62 are based on the following passages:

Blues

Starting my own section of blues recommendations fills me with a creeping sense of guilt and complicity. Why? Because I’m a white guy writing about an almost completely black genre-black, at least, in its origins and in the artists that brought the blues to its zenith in the 50’s arid 60’s. Unlike, Say, jazz or soul, white positive played little or no positive role in the development of the blues. What positive effect whites had was far outweighed by the commercial exploitation and social exclusion blues pioneers et at every crossroads.

Further, there have been absolutely no significant white blues performers. A few are only imitators. Most can’t even properly be ca21ed blues musicians: they played rock, folk, or pop music influenced by the blues, and much of it was unabashedly horrible. Mostly, though, writing about the blues makes me feel complicit in the unseemly, modem “blues revival”, a movement almost completely white and unoriginal, a popular uprising of middle-class, middle-aged (usually drunk) white guys pretending that they know something about oppression, depravity, rebellion., And the contradictory celebration of life arises from those conditions. These things are the essence of the blues, and, being a middle-class, middle-aged white guy, I can vouch that we know nearly nothing about them.

So why am I here? Well, I can also vouch that the blues, like all music, is a universal language, and ! have come to understand it academically, if not experientially. Eventually, I came to love blues music if only for its influence on music more akin to my world-rhythm and blues, soul, rock—but in its own right, too. In a general way, the blues speak to things we all have in common-love, betrayal, anger, death-and, from that perspective, I, too, got a right to sing the blues-just, well, not in public.

On the other hand, as mentioned above, the blues world is now dominated by white folks. The records are made by white performers, many of them talented and certainly well-meaning but often sanitized and uninspired in ways anathema to the blues. White blues musicians frequently teeter on the precipice of caricature. Like Amos N’ Andy, they trade in grossly rendered black mannerisms; that they do it out of love form rather than derision of the race seems a poor excuse. Sadly, though, most modern blues records-the good ones as well as the bad-are sold almost exclusively to white folks, too. The black audience for blues music has dwindled down to an older, mainly southern

8 crowd of diehards.

So, let’s be honest. I come to praise that original style. Indeed, in my research and writing, I hope to increase my own understanding and appreciation for it. And, I Hold no particular grudge against modern blues, though modern players will be few and far between among my

recommendations. Mainly, I cannot ignore the fact that modern blues fans made rich men out of John Lee Hooker., B.B. King, Buddy Guy, and other deserving old masters. But, also, there are modern artists who have made great blues records. Many of these artists are from my home state of Texas, so it seems unpatriotic, if not dishonest, not to acknowledge this fact. 58. According to the author the blues actually originated from

A. the blacks

B. The whites

C. the Europeans D. the African people 59 According the author, the essence of the blues is something about

A. Oppression, depravity and rebellion C. the whites

B. imitation, development and celebration D. The blacks

60. In the sentence “I can also vouch that the blues, like all music, Is a universal language” (Para.3), the word “vouch” means A．gossip

B．promise

C．testify

D. appreciate

61. which of the following is not implied in the passage?

A. The blues world is now dominated by white folks

B. Most modern blues records are sold almost only to white folks C. Most modern blues records are sold almost only to black folks D. The black audience for blues music has decreased

62. In the last paragraph, the last sentence, the word “unpatriotic” means A. loving for his country C. loving for honesty

Questions 63 to 67 are based on the following passages:

Gardens of Claude Monet in Giverny

Flowers, color, and light are essential elements in interior decorating. And nowhere are these more evident than in the home and gardens of Claude Monet in Giverny, France. Filled with the bright, clear

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B. not loving for his country D. not loving for honesty

colors of nature, this home is must-see for anyone who loves art, flowers, colors, or decorating. It is especially remarkable because the usual decorating of the day included heavy curtains, large velvet upholstered pieces, and lark, somber interiors. Monet broke from that tradition when he moved here in 1883, enchanted by the quiet village of Vernon, rolling country hills, pretty trees and fields, all laid out gracefully along the banks of the Epte River.

Monet was still a struggling artist when he arrived in Giverny. It was one of his paintings that had given this new arts movement its name-“impressionism”-for the use of dabs of color on canvas, rather than sweeping brushstrokes or more classic painstaking detail. While at first reviled by critics, impressionism began to grow in popularity and by 10 Monet’s art was selling well enough that he could afford to purchase his rented home for the price of 22,000 francs, equal to the price of just two or three of his paintings. He stayed in this home for the rest of his life, until 1926.

Monet's love of pure color is fully expressed in the decoration of his home. Outside, bright pink stucco walls contrast with forest green shutters. Inside, brilliant yellow hues brighten the dining room while lovely watery blues and greens grace the entry. In the kitchen two tones of blue burst into a riot of color, highlighted with copper pots and blue and white tiles from Rouen.

On display in the dining room are the matching yellow china wares filled with a collection of blue and white china pieces as well as the yellow and blue banded dinnerware he had commissioned in his own design. In the center, a large table is set for the family and guests. A pretty fireplace at the end of the room shows off blue and white tiles under a mantle decorated simply with an arrangement of bottle green vases.Japanese prints cover the walls.

The home is one room deep and about five rooms wide, each with windows overlooking the magnificent gardens where great care was taken in the planning and planting. Monet eventually expanded his land to include a small stream, pond, and water lily gardens on an adjacent property. At one point he employed a staff of six gardeners to care for the grounds and keep the gardens supplied with flowering blooms. It is the gardens that seem to be the focal point of the home. Laid out in neat rows, with paths, archways, and color, Monet oversaw every detail. Str0oling through them, one almost expects to come upon the scene of Monet painting and a child in. Front of his magnificent rose garden. Join us for a beautiful photo tour of Monet’s gardens.

63. According to the author, the gardens of Claude Monet in Giverny are _

A. filled with the bright, clear colors of nature

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B. decorated with heavy curtains, large velvet upholstered pieces. and dark, Somber 1ntenors C. decorated with traditional designs D. decorated with quiet and dark designs

. In the sentence “Monet was still a struggling artist when he arrived in Givemy” (Para. 2), the underlined word“struggling” means A. brave

B． rich

C.famous

D. both poor and unknown

65. In paragraph 4, the first line, the phrase“china wares” means A. wares made in China

B. wares made of China D. wares made in Chinese designs

C. wares made ‘by Chinese people

56. which of the following is not implied in the passage?

A. Many Japanese paintings hang over the walls. B. There is a pretty fireplace in the sitting room.

C. It was one of his paintings that had given his new art called “Impressionism”. D. Claude Monet bought his rented home at last with the money by selling his paintings. 67. In the last paragraph, the sentence“It is the gardens that seem to be the focal point of the home.”

Means A . The garden is very small, but beautiful B. The garden is very big and beautiful C. People like to take pictures in his garden

D. When people visit his home, they like to visit the garden most

四、论述题（A. B两组各限选一题，每小题30分：共60分，每题字数在600字左右） A组：

1．简论艺术对人文素养的影响和作用。 2．简论如何创造艺术的生命质感。

3．简论中国文化艺术如何实现“走出去”战略。 4．简论艺术在文化发展与繁荣中的作用。 B组：

1，简述欧洲古典主义音乐的主要特征。 2．简述现实主义戏剧的基本特征。

113．简述戏曲剧目中的“清官戏”。

4．简述中国民族电影艺术如何适应市场进而走向世界。 5．简述电视工作者“三贴近”的意义。 6．简述“气息”在舞蹈表现中的作堆用。 7．简述“六法”在中国绘画中的应用。 8．简述设计中的“造型寓意”。

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